An architect argues to stay the wrecking ball and reuse older buildings, a historian recalls Martin Luther King Jr.’s timeless economic message, a master storyteller brings a new set of tales, an engineer conjures a children’s book with a robot’s-eye view of the deep ocean 鈥�

But hark! 鈥� yet more. Personal essays on nature spanning a biologist’s career, a best-selling author’s take on America’s unprecedented president, and a thoughtful book about books themselves, their past and their unwritten future. Plus jazz and classical recordings from faculty in the 糖心少女School of Music.

As the year comes to a close and festivities abound, some 糖心少女 faculty creations can make great gifts for the thinking Dawg on your giving list. Here’s a quick look at some gift-worthy books and music created by 糖心少女talents in the last year or so.

Michael Honey, 鈥�To the Promised Land: Martin Luther King and the Fight for Economic Justice.鈥�

Fifty years have passed since King’s 1968 assassination. In a new book, Honey, a 糖心少女Tacoma historian, notes that economic justice and labor rights were always part of King鈥檚 progressive message. 鈥淗e said in Memphis, 鈥業t鈥檚 a crime in a rich nation for people to receive starvation wages,鈥欌�� Honey says. 鈥淭hat remains a basic issue right now across the country, where it seems like the economy is doing really well but there are millions of people in poverty.鈥� Published by .

Dana Manalang, “.”

After years working on a cabled observatory that monitors the Pacific Northwest seafloor and water above, Manalang, an engineer with the UW’s Applied Physics Laboratory, decided to share the wonder of the deep sea with younger audiences. The result is this new children’s book published by Virginia-based , which combines images of the deep ocean captured during 糖心少女School of Oceanography research cruises with rhyming couplets and a cartoon robot illustrated by 糖心少女designer .

Charles Johnson, 鈥�.鈥�

A prolific author and 糖心少女professor emeritus of English, Johnson spins a dozen yarns in this new story collection, from realism to light science fiction and beyond, laced gently with humor and philosophy. Calling him a 鈥渕odern master,鈥� Kirkus Reviews said his stories 鈥渃an be as morally instructive as fables, as fancifully ingenious as Twilight Zone scripts, and as elegantly inscrutable as Zen riddles.鈥� Asked how he knows when a story is done, Johnson said: 鈥淲hen I can鈥檛 add another line (or word) to it without disturbing the delicate balance of music and meaning, sound and sense that comes from relentless revisions.鈥� Published by

Kathryn Rogers Merlino, 鈥�Building Reuse: Sustainability, Preservation, and the Value of Design鈥�

Tearing down buildings and discarding the energy and materials embodied in them is contrary to the values of sustainability, writes Merlino, an associate professor of architecture in the 糖心少女College of Built Environments. We avidly recycle and compost, but have no cultural ethic about reusing our largest manufactured goods 鈥� our buildings. 鈥淲e quickly demolish buildings in the name of new, 鈥榞reen鈥� structures, rather than looking for the possibilities of how we can work with what exists,鈥� Merlino says. To me there is an inherent conflict in there, and I think we can do better.鈥� Published by .

David Shields, 鈥�No One Hates Trump More Than Trump: An Intervention.鈥�

In his latest release, Shields, a 糖心少女professor of English and New York Times best-selling author, deconstructs the mind of the current president of the United States. The book, is 鈥渁t once a psychological investigation of Trump, a philosophical meditation on the relationship between language and power,鈥� publisher鈥檚 notes say, 鈥渁nd above all a dagger into the rhetoric of American political discourse 鈥� a dissection of the politesse that gave rise to and sustains Trump.鈥� He calls it 鈥渁 manual for beating bullies.鈥� Published by .

Kenneth Pyle: 鈥溾��

After the United States ended World War II by dropping atomic bombs on the Japanese cities of Hiroshima and Nagasaki, it then conducted 鈥渢he most intrusive international reconstruction of another nation in modern history,鈥� writes Pyle, a 糖心少女professor emeritus of international studies. Only now, amid geopolitical changes of the 21st century, is Japan pulling free from American dominance and constraints placed on it after the war. The book, distilling a lifetime of research, examines how Japan, with its conservative heritage, responded to the imposition of a new liberal order and tracks the now-changing relationship between the two nations. Published by .

Amaranth Borsuk, 鈥� 鈥�

Borsuk, a 糖心少女Bothell assistant professor as well as a poet and book artist, explores the book, its past and possible futures in this compact volume. 鈥淩ather than bemoaning the death of books or creating a dichotomy between print and digital media,鈥� she writes, 鈥渢his guide points to continuities, positioning the book as a changing technology and highlighting the way artists in the 20th and 21st centuries have pushed us to rethink and redefine the term.鈥� Published by

Jim Kenagy, 鈥�鈥�

Kenagy, a professor emeritus of biology, presents a collection of 13 nature essays set in time across his life, from freshman field trips through his 聽dissertation and career at a major university. 鈥淭hese stories are not the scientific reports of a research professor, nor are they an attempt at popular science,鈥� state publisher’s notes. 鈥淭hese are personal essays that spring forth from observation and discovery of what nature has to show anyone who is willing to pay attention.鈥� Published by .

Pimone Triplett, “”

In her new book of poems, Triplett, a 糖心少女associate professor of English and creative writing, says she explores “the thinning lines between responsibility and complicity, the tangled 鈥榮upply chain鈥� that unnervingly connects the domestic to the political, personal memory to social practice, and our age-old familial discords to our new place in the anthropocentric world. Published by .

Multiple authors, “”

This reference book was first published in 1973 and became an instant classic for its innovative style and comprehensive illustrations. Now, botanists at the 糖心少女Burke Museum of Natural History & Culture have created this updated second edition, which includes the reclassification or renaming of about 40 percent of the taxa covered by the first edition. Published by .

And to accompany your reading, here are some recent recordings from faculty in the 糖心少女School of Music:

Cuong Vu 4-Tet, “”

The latest CD by Vu, trumpeter and 糖心少女Jazz Studies professor and chair 鈥� created with his “4-tet” 鈥� is landing on critics鈥� best-of lists for 2018. Guitarist Bill Frisell, drummer Ted Poor, bassist Luke Bergman and Vu all contribute new music on this follow-up to the group鈥檚 2017 album. A London Jazz News critic called the results 鈥渦niformly excellent.鈥� Released by RareNoise Records.

Craig Sheppard, “” and “”

Sheppard, 糖心少女professor of music, released two CDs this year, documenting live performances at Meany Hall. For one, he presents the revised score of Bach’s master work, left incomplete upon the composer’s death. The other is a deluxe collection of Brahms’s four sets of lyrical piano miniatures,
Opus 116 through 119. Released by Romeo Records.

Michael Partington, “”

An artist in residence at the 糖心少女School of Music, Partington returns to the 19^th century repertoire that formed the basis of his early musical development in this collection, performed on a mid-1800s French Romantic guitar. Released by Rosewood Guitar.

, 糖心少女 associate professor of English and creative writing, has released a new book of poems, her fourth. “” was published by the University of Iowa Press in late 2017.

The poems, Triplett says, explore “the thinning lines between responsibility and complicity, the tangled ‘supply chain’ that unnervingly connects the domestic to the political, personal memory to social practice, and our age-old familial discords to our new place in the anthropocentric world.”

Triplett adds, “Equal parts celebration and lament for the mechanisms we shape and are shaped by, this is a book of entangled voicings among registers of public and private, the intimate and the historical.”

In its positive review, Publishers Weekly said Triplett employs “playfully contorted language” as her poems depict “a self and a world formed by large-scale mechanisms and their effect on persons deeply entrenched in causal chains and the ethics of supply and demand.”

, poet and faculty member at the University of Vermont, wrote, “Of the poets I admire, I can think of no other who dwells as comfortably inside language as Pimone Triplett.

“As such ‘Supply Chain’ 鈥� like her previous volumes 鈥� finds her gloriously moving between fixed and subtle shifts of meanings, between what’s known and what can only be discovered through jubilant lyricism 鈥� (H)ere is a poet who unapologetically showcases the virtues of a complex, demanding art to possess that which haunts the periphery of our imaginations while she simply has fun with words.”

Triplett’s previous books of poems have been “,” (2009) “,” (2005) and “” (1998).

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To learn more about Triplett and her work, contact her at 206-618-2163 or ptrip@uw.edu.